David Crosby’s 15 Essential Songs

In 1971, Crosby released his perfectly atmospheric solo debut album, “If I Could Only Remember My Name,” backed by members of the Grateful Dead and Jefferson Airplane as well as Joni Mitchell, who joined the backup harmonies on this song. Crosby sings about a failed spiritual quest — finding “only reflections of a shadow that I saw” — and Jerry Garcia’s pedal steel guitar floats above him as he finds acceptance.

In this elaborate miniature, an eerie chorale of vocal harmonies carries the names of places in France; then guitar counterpoint takes over, sketching a melody just once before letting it fall away.

There’s more than a hint of Crosby’s lifelong admiration for Mitchell in “Holding On to Nothing,” with its calmly strummed, eccentric chords and asymmetrical melody. From “Croz,” which was his return to making solo albums after 20 years, “Holding On to Nothing” meditates on time, longing, depression and persistence, feeling like “a stranger just passing through.”

In a song from “Lighthouse,” the album that inaugurated Crosby’s years of collaboration with Michael League of Snarky Puppy, Crosby gazes at the vast distances between stars and wonders, “Why must we be eternally alone?” But gradually, layer by layer, guitar patterns and vocals waft in and interlock, suggesting that we’re not.

Even in his last years, Crosby was trying new approaches. “Curved Air” — written with his son, James Raymond — is briskly percussive and rhythmically unpredictable, with flamenco-like handclaps and a bass line that talks back to him. The lyrics wish for “a little traction here/A little solid ground,” yet as the melody hops around, Crosby is entirely sure-footed.

Written with the members of the Lighthouse Band, “Balanced on a Pin” contemplates fragility and mortality: “Landing’s the hardest part/The connection comes apart,” Crosby sings. For much of the song, his only accompaniment is the picking of a lone guitar, suspending his voice above the inevitability of silence.

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